They could only record at their Cornish studio when the tide was in, you know. "The acoustics", apparently. But what an investment that tide almanac was. From the vein-busting opener "In It For The Money" to the stoopid, human-beatbox closer of "Sometimes I Make You Sad", Supergrass's second album fairly defines the term "classic". "Going Out" swivels on an outrageous, 14-bar passage of Memphis brass and buzzes like the Beatles on the roof at Apple, while "Sun Hits The Sky" has all the furious bass-runs of the Who's "I Can See For Miles". And "Late In The Day" breaks into a guitar solo of such unindulgent homesick beauty it could cause pavements to weep. God would have to buy a Gibson and crib off John Lennon to top half of the songs on Money. --Caitlin Moran
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