The last of David Bowie's long run of classic albums is best remembered for its superb electropop-ish hit singles "Ashes To Ashes" and "Fashion". But while these may be representative of the record's quality, they're very different in sound to the rest of the album. Scary Monsters is fiercely and unforgivingly a rock album, reflecting strongly the influences of both British and American post-punk artists, particularly Television's Tom Verlaine, one of whose songs, "Kingdom Come", appears here. The uncompromising Robert Fripp plays a significant role, which he accurately described as "spraying burning guitar all over" the songs. Scary Monsters is Bowie's most abrasive and ferocious piece of work, and its power to needle and astonish has remained undimmed over the years. --David Bennun
